Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Mike Vick Interview with GQ is the backlash warranted? (BLOG,GQ INTERVIEW)

(NBC.Sports)In an interview with GQ that was published at the magazine’s website moments ago, Eagles quarterback Mike Vick tells Will Leitch that Vick, the 2010 Associated Press Comeback Player of the Year, didn’t want to play for the Eagles.

“I think I can say this now, because it’s not going to hurt anybody’s feelings, and it’s the truth. . . . I didn’t want to come to Philadelphia,” Vick said. “Being the third-team quarterback is nothing to smile about. Cincinnati and Buffalo were better options.”

Vick ultimately was persuaded — by Commissioner Roger Goodell and other NFL officials — to pick the Eagles. Bills and Bengals fans surely will be thrilled to know that the league office is participating in personnel decisions; they also would probably want to know why Vick was steered away from their teams. (Leitch writes that both the Bills and Bengals would have “allowed Vick to start”; it’s hard to imagine that the Bengals would have benched the guy they currently refuse to trade.)

The old Mike Vick would have ignored Goodell and anyone else who told him anything other than that which Vick wanted to do; the new Mike Vick heeds such advice. But the old Mike Vick still made a cameo appearance during the interview, when he took the position that only the media cares about his history of dogfighting, gambling, and . . . what else was there? Oh yeah, killing in cold blood dogs that were deemed unfit to fight other dogs.

“They are writing as if everyone feels that way and has the same opinions they do,” Vick said. “But when I go out in public, it’s all positive, so that’s obviously not true.”

We’re not sure we buy that logic. When it’s time to sniff jocks, lots of people become more than a little phony. Then there’s the fact that we all love a good redemption story, so we all root for Vick on his ride back to the top.

The media, frankly, is part of that. Plenty of reporters have moved on completely from Vick’s dogfighting days, and it will be a major issue again only if the Eagles make it to the Super Bowl and Vick is subjected to the intense scrutiny that goes along with it.

Or if Vick starts fighting dogs again.

We doubt that the latter will ever come to fruition, but from time to time we see periodic flashes of the old Mike Vick, like when he bailed on his interview with Oprah Winfrey. And even if the new Mike Vick is smart enough to never fight dogs again, there are other ways in which the old Mike Vick can make trouble for the new Mike Vick.

The new Mike Vick realizes that it’s important to demonstrate contrition for his crimes. But the old Mike Vick inches closer to the surface at times, indignant over the fact that he went to jail for something that he’d probably still be doing if he hadn’t been caught.




GQ INTERVIEW BELOW:

"I stand before you a changed man," Michael Vick tells an auditorium packed with kids whose parents would very much like to see them change, too. "Use me as an example of an instrument of change."

It's early June, and Vick is at Philadelphia's Kimmel Center, addressing the graduates of the Camelot Schools of Pennsylvania. These students are primarily from low-income African-American families, and most wound up here after being kicked out of other schools. Vick has stumbled through parts of his speech but nails this bit. It's his second-biggest applause line—after an eleven-way tie between each time he says the word Eagles.

The students want him there; he won a popular vote. Their options were Vick, Philadelphia mayor Michael Nutter, and school-district superintendent Arlene Ackerman. The Camelot Schools claim the vote was "close." I do not believe them. When Vick was selected and accepted the honor, Milton Alexander, Camelot's vice president of operations, waved off any potential criticism by saying, "One thing that we are constantly addressing with our students is if you make a mistake, if you make a bad decision, there is accountability involved, and just because this is your reality now, it doesn't have to be your reality forever. Vick's story is very relevant to their situation."

It's a scene that many couldn't have imagined last year at this time, when Michael Vick was out of prison but oddly irrelevant—neutered, almost. The man who'd not long before been the most controversial athlete on earth seemed forgotten and ignored, even by his own team. Vick had successfully navigated his way back to football after his infamous dogfighting scandal, but his problem was no longer picketing protesters or angry television commentators. It was the Eagles' depth chart. He—Michael Vick!—was a third-stringer behind aging Pro Bowler Donovan McNabb and Kevin Kolb, both considered NFL starters in their own right. There probably wasn't a professional quarterback farther from glory in all of football. And nobody knew it more than Vick.

"I think I can say this now, because it's not going to hurt anybody's feelings, and it's the truth," Vick tells me a few weeks after the commencement ceremony. "I didn't want to come to Philadelphia. Being the third-team quarterback is nothing to smile about. Cincinnati and Buffalo were better options." Those two teams wanted him and would've allowed him to start, but after meeting with commissioner Roger Goodell and other reps from the NFL, Vick was convinced—and granted league approval—to sign with Philly. "And I commend and thank them, because they put me in the right situation."

That they did. After attempting only thirteen passes in 2009, his first season back, Vick moved up to second string when the Eagles traded McNabb to the Washington Redskins. But when Kolb suffered a concussion in the season opener, Vick took the reins and was a revelation—leading the Eagles to an 8-3 record in games he started, throwing for twenty-one touchdowns while running for nine, and steering Philadelphia to an NFC East division title during a year in which they were supposed to be rebuilding.

This Michael Vick was not the Vick of old; this Michael Vick was a supercharged, utopian version of the player who'd quarterbacked the Atlanta Falcons through six frustrating seasons before his forced exile from football. The old Vick had been plagued by indecision, by a lack of work ethic ("I had none sometimes," he admits), by on-field impatience, by off- field distractions that were so numerous they almost turned football into a distraction, and by the unbearable weight of being Michael Vick, Preternatural Talent. In Atlanta, Vick flipped off fans, was suspected of bringing weed to the airport, and once used the fake name "Ron Mexico" with doctors to hide that he was receiving treatment for herpes. (This was not an effective strategy.)

In Philadelphia, coaches praised the New Vick as a diligent worker and perfect teammate, a quiet leader deserving of the team's Ed Block Courage Award for "exemplifying commitment to the principles of sportsmanship and courage." His crowning moment—one of the most astonishing performances in the history of the NFL—was on Monday Night Football in mid-November. Vick accounted for five first-half touchdowns (three through the air, two on the ground) against the Redskins and generally made everyone else on the field look like cats darting after a laser pointer. "I was a little out of my mind there," he says. "Everything was just coming perfect."

Before Vick takes the stage to address the Camelot graduates, he meets with several teachers, nearly all of whom are extremely large and joke about applying to be one of his offensive linemen. Vick then fields questions from a handful of students in the greenroom. After a few softballs ("Are the Eagles going to win the Super Bowl next year?"), one student, taller than Vick and about twice as wide, gets right to the point: "Are you mad about what happened to you?"

Fifteen feet away, halfheartedly taking notes alongside a cluster of reporters, I snap to attention. What a strange question. Certainly to many, framing the past four years of Michael Vick's life in terms of something that happened to him suggests a gross misunderstanding of how he wound up behind bars. But this is not the way the Camelot students see it at all. The kid's question is met with head nods and shouts of "You better believe it!" and "That's right!"

Vick, who has barely changed his expression throughout the thirty-minute session with the students, smiles wide and looks over his left shoulder, directly toward the hallway of reporters. He glances left and right, cartoonishly grinning, all mock-conspiratorial. "Where the media at?" he says, and everyone laughs.

···



Since his release from prison in July 2009, Michael Vick has had a team of "at least seven" PR professionals working for him. He says they laid down a plan while he was still locked up, a plan "I try to follow to the letter." They have him working with the Humane Society, with whom he recently came out against an Android app called Dog Wars. ("It just sends the wrong message," he said in a press release.) Most recently, he appeared on Capitol Hill to back an anti-dogfighting bill: "During my time in prison, I told myself that I wanted to be a part of the solution and not the problem." He's made public appearances with beloved NFL figure Tony Dungy, who counseled Vick while in prison (but declined my repeated requests for an interview). Last year he produced The Michael Vick Project, a ten-part miniseries on BET meant to humanize himself. "These guys have been working for me for years now, trying to get my stuff back on track, and it has worked out great," Vick says. "Everybody works on one chord and understands that every decision is critical and has to be made collectively. I think [the success] is a credit to myself making sure that I have the right people around me."


In the Camelot commencement program, Vick's story is described as "rags to riches to rags to redemption." This is the company line, and Vick knows to ride it close. At the end of last season, Vick won the Associated Press's NFL Comeback Player of the Year award and played in his first Pro Bowl since 2005. The plan is working. Which is why Nike, the sponsor that did as much as anyone else to build the Michael Vick brand in the first place, re-signed Vick in early July to endorse the athletic garb it designed specifically for him. (Vick says Nike never lost touch with him, even while he was in prison.) This is quite the turnaround: When the investigation into Vick's dogfighting activities was in its early stages, Nike's suspension of a highly anticipated Vick shoe was the point at which many realized the scandal wasn't going to blow over. Now Nike's back on board, fully subscribed to a metanarrative that goes something like this:

Michael Vick was undisciplined, young, and too loyal to (and trusting of) the people he grew up with. He made mistakes, including but not limited to dogfighting, and eventually his malfeasances were uncovered. He realized the error of his ways and accepted his punishment. While in prison, he "got his mind right," discovered the perspective that eluded him as a free man, and vowed never to repeat the mistakes of his past. He took advantage of his second chance, becoming the quarterback he was always meant to be. His story is an inspiration to all. Particularly to those desiring the finest in athletic gear.

I'm not sure if it will strike you as a relief or an outrage that Michael Vick doesn't really believe all of this, but you should know: He doesn't.

···




As recently as last June, Vick was still terrified his NFL comeback could be derailed. Most of his anxiety likely stemmed from an incident at his thirtieth-birthday party. If you don't know the story, it's a wacky one: We came awfully close to missing out on this era of Vick's career because of pastry. In the heart of the 2010 off-season, when Vick was still riding the bench, his fiancée, Kijafa, in front of hundreds of partygoers at a restaurant in Virginia Beach, playfully rubbed cake in Vick's face, which he did not enjoy. Then Quanis Phillips, one of Vick's dogfighting co-defendants, rubbed more cake in Vick's face, which he enjoyed even less. They had a big public fight, and Vick, wary of getting in trouble again, left the party. Fifteen minutes later, Vick received a call and learned Phillips had been shot in the leg. (The shooter's identity remains a mystery, and charges were never filed.)

Vick was ultimately found faultless in the incident, but it scared him even more straight than he already was. For a long time thereafter, he played the humble, stoic good citizen. You will recognize this Vick from all those court appearances during the dogfighting trial—head down, chastened, all traces of his famously brash and arrogant personality smothered. Every facial expression came with an implied thought bubble: I am a remorseful man.

Suffce it to say, Michael Vick no longer looks sorry. That Vick swagger, the charisma that once made the famously individual-averse NFL promote him as if he were Michael Jordan (remember "The Michael Vick Experience" commercials?)—that Vick is back. It's this version of Vick that I encounter during a three-hour photo shoot, a few weeks after the commencement speech. I'd been so used to Vick looking forlorn during public appearances over the past three years that I didn't anticipate how bold he'd be in person. Many athletes are reluctant to take their shirts off for photographers, which has always struck me as odd. (If I looked like an athlete, I'd take my shirt off to go to the gas station.) But Vick is shirtless before the photographer even asks.

···



When Vick went to prison, the general consensus was that he would never be the same quarterback again. Here was a guy who'd nearly led Virginia Tech to a national championship and finished third in the Heisman voting as a freshman; who'd been the number one pick in the 2001 NFL draft at the age of 20; and whose first professional coach, Dan Reeves, had said Vick's talent "made you scratch your head and wonder what you just saw."

And yet he'd never lived up to his potential when he had every opportunity to succeed. How in the world would he train himself back to a workable level (let alone MVP caliber) while atrophying in prison for eighteen months? But damned if he didn't actually seem faster once he was out. How could prison—where he claims to have played a pickup game only once—have made him a better quarterback?

He says it didn't. He says he's just always been this good. "I have always been an outstanding football player, I have always had uncanny abilities, great arm strength, an immense ability to play the game from a quarterback standpoint," Vick says. "The problem was that I wasn't given the liberty to do certain things when I was young. The reason I became a better player was because I came to Philly."

So then it wasn't a change of mind-set in prison, as is so often claimed as a cornerstone of the Vick story? "No," he says. "I had changed my life long before then. I was just with the wrong team at the wrong time."


The way Vick tells it, he struggled in Atlanta not because of maturity issues but because the revolving door of coaches there kept trying to turn him into a player he was not. They were trying to make him a more conventional quarterback, a pocket passer, one who followed The System rather than His Instincts. In other words: Vick struggled at the end of his tenure in Atlanta not because his life was out of control but because they wouldn't Let Me Be Me.

When Falcons coach Bobby Petrino was brought aboard specifically to take advantage of Vick's talents, "his offense was designed to make me the quarterback that I wanted to be," Vick says. He adds that he had stopped going to so many parties and "buying so much jewelry" and was working mostly on a horse farm he'd built. "I was turning the corner. I was cutting my braids off. I was changing my life. I wanted to live the life where football and family were the only things that mattered. I was ready to do it. I felt like time was running out on my career. I needed focus."

And then he got caught doing some very bad things to dogs.

I ask Vick: If you'd never gone to prison, if no one had ever known that you'd been involved with dogfighting...would you still be an All-Pro today?

He smiles. "Only if I had gotten traded to the Philadelphia Eagles," he says. "They never tried to change me."

···



It doesn't matter how long ago it went down or how far back Vick has climbed: The dogfighting crimes for which he served 544 days—and he knows the exact number off the top of his head—will be in the first sentence of his obituary no matter how many Super Bowls he wins.

Not that Vick and his PR army haven't been trying to push the dogfighting down as many paragraphs as possible. Vick seems to think the only people who still care are reporters. "They are writing as if everyone feels that way and has the same opinions they do. But when I go out in public, it's all positive, so that's obviously not true." The media, Vick implies, still act as though he used to sneak into suburban yards, steal golden retrievers, and set them on fire. As if he were a lone actor, a single rampaging menace, a canine serial killer with no context, motivation, or backstory. As if he is the only person in America associated with dogfighting.

He isn't, of course. While nonprofit groups like the Humane Society attribute a decrease in dogfighting popularity over the past five years to the visibility of the Vick case, organizations such as the American Society for the Prevention of Cruelty to Animals contend that crackdowns on cases like Vick's have actually made dogfighting more popular. Either way, it is still estimated that tens of thousands engage in dogfighting—which is notoriously more prevalent in urban areas, where it has been part of African-American culture for decades.

Vick, well versed in his talking points on this matter, hesitates to make this a race issue. And yet: "Yeah, you got the family dog and the white picket fence, and you just think that's all there is. Some of us had to grow up in poverty-stricken urban neighborhoods, and we just had to adapt to our environment. I know that it's wrong. But people act like it's some crazy thing they never heard of. They don't know."

I ask Vick if he feels that white people simply don't understand that aspect of black culture. "I think that's accurate," he says. "I mean, I was just one of the ones who got exposed, and because of the position I was in, where I was in my life, it went mainstream. A lot of people got out of it after my situation, not because I went to prison but because it was sad for them to see me go through something that was so pointless, that could have been avoided."

A refresher on the details of the incident that officially put Vick away: In April 2007, the other three men involved in Bad Newz Kennels, which Vick bankrolled, were "going through fighting sessions to determine which animals were good fighters," according to Vick's indictment. Vick, who had been taking great pains not to be seen at the kennels, "helped out" in the killing of seven dogs—the ones who had lost in the fighting sessions. He then assisted in burying the dogs, too. A week later, police raided the compound. Vick said at the time, "I'm never at the house.... I left the house with my family members and my cousin.... They just haven't been doing the right thing.... It's unfortunate I have to take the heat behind it. If I'm not there, I don't know what's going on." He tells me today: "I was walking away, just totally refocused on something else.... I just happened to get caught out in the yard trying to help out."

A quiet few have made the argument that Vick's punishment and banishment and ostracism from society was excessive. Vick ultimately served more time than the other owners of the Bad Newz Kennels and was given a harsher sentence than almost anyone else ever convicted of dogfighting. He was put in prison for a sadly common crime, something that thousands of people who grew up under his circumstances witness firsthand or even partake in every day. He was, arguably, just staying true to where he'd come from, among the very few people in Newport News, Virginia, he'd known forever—men he could trust, men who were not among the Johnny-come-lately sharks, men who understood. For this, he lost the prime of his career. He's coming into his own at 31, when there is very little time left.

I ask him if he buys this argument, if he believes he was treated unfairly. Most people convicted of dogfighting don't spend a year and a half in prison. They aren't forced to declare bankruptcy. I ask him if he was sent to prison for too long.

"One day in prison is too long," he says.

Yes, but I mean for this particular crime.

He sighs. I'm not the first person who's tried to lead him down this road. "For a while, it was all 'Scold Mike Vick, scold Mike Vick, just talk bad about him, like he's not a person,' " he says. "It's almost as if everyone wanted to hate me. But what have I done to anybody? It was something that happened, and it was people trying to make some money." He pauses and looks around. Time to step back from the edge. He's recovered so much ground that he's not about to lose it all again by taking things too far with some writer he just met. "But it's not fair. It's not fair to the animal. I know what to do now. I am strong as an individual, and I can handle anything."


It's damned good to be Michael Vick right now. In fact, you might say things couldn't get better. He's poised to potentially lead the Eagles to their first ever Super Bowl win. His jersey is one of the NFL's best-selling again. He's playing football at a level that few men have ever dreamed of. He's got his city, his fans, his sponsors; everyone's back on board. But there's one thing that's still bothering him:

"I miss dogs, man," he says. "I always had a family pet, always had a dog growing up. It was almost equivalent to the prison sentence, having something taken away from me for three years. I want a dog just for the sake of my kids, but also me. I miss my companions." Assuming he doesn't suddenly start another dogfighting ring, Vick is due to come off probation in July 2012. Afterward, he is expected to be able to legally own a dog.

Obviously, if he insists on it, there will be problems. Can you imagine the outcry from the Nancy Grace crowd? PETA co-founder Ingrid Newkirk—who likens Vick to "a psychopath"—lays it out pretty clearly: "I don't want him within half a football field of an animal. It's the only way that we could make sure that the animals are safe."

But Vick won't be worried about people like Newkirk if he keeps winning football games. The past twelve months have proved that. Like many athletes, Vick has used his extraordinary play as a tool to silence critics. "In the back of my mind, I just said, You know, I will prove all these people wrong. I will show them that I am bigger than everything that is going on right now."

This summer, in the relative calm of the lockout, Vick's average day involved getting up, working out, spending time with his family, and playing golf. He has settled into being Michael Vick again—successful, triumphant. He's going to think twice about putting that on the line. Which is why, when I speak to him on the phone a week after our first conversation, I'm not terribly surprised to find that he's back on message, parroting lines that remind me of the Camelot Schools commencement address. "Going to prison, I had a chance to clean a lot of things up," he says robotically. "I changed, people change, and you know, now it is like I have everything in order and my life is totally different, because I am able to deal with situations based on what is right and what is wrong." This is just days after he'd re-signed with Nike. I ask him his favorite website. "Nikeelite.com," he says.

Vick must constantly play this balancing act, reconciling a desire to say what he wants with what he knows he can't. In person, you can see these cracks in disposition; there's tension because part of him wants to open up. But over the phone, I can tell it's the fortified Vick. In order to stick to the PR plan, he must make himself as uninteresting as possible. It benefits Vick to be just like every other athlete again, full of braggadocio and bromides and advertisements for footwear and lime sports beverages. This is all Vick could have ever hoped for: to reclaim the normal, pampered, stupidly happy life of a professional athlete. And why shouldn't he? He served his time. We can be repulsed by his past, we can choose not to root for him, but we can't drown out the cheers from Eagles fans. In the $9 billion juggernaut of the NFL, Michael Vick's transgressions just don't matter anymore, and maybe they never did.

And yet there's certainly a desire to know how Michael Vick truly feels about what he's done, how he's been treated, and where he's going. But the rags-to-redemption hook was for your benefit; it has never mattered inside the lines. It sure doesn't matter to the defenders lying at Vick's feet as he scampers into the end zone. Or to Vick's teammates, who just want a Super Bowl ring. Or to any armchair owner who's picked up Vick for his fantasy-football team. And it probably matters least of all to those fans, the ones wearing his jersey and screaming his name. They just look at the scoreboard, and that's all the truth they need.

Read More http://www.gq.com/sports/profiles/201109/michael-vick-gq-september-2011-interview#ixzz1VReHhRt7

Jay-Z Explains "Watch The Throne" Title, Significance To Hip Hop Culture (BLOG,AUDIO)

Hov speaks on what the title of his collaborative release with Kanye West means.

Jay-Z recent spoke on his collaborative release withKanye West, Watch the Throne, explaining that the release is intended to help sustain the culture. Speaking with 99 Jamz's Lorenzo Thomas a few days ago, Hov explained that he didn't bow to popular trends to launch his latest LP.

"No super over-the-top, big singing chorus or anything," he said. "That’s how we launched our album. And it’s good that it’s been embraced the way it has. That means everyone’s ready for that. The return of the boom-bap."







He also justified the audacious album title, explaining that he was just asserting Hip Hop's influence on society through his music.

"It’s just protecting the music and the culture. It’s people that’s in the forefront of the music. Watch the Throne, you protect it. You just watch how popular music shift, and just how Hip Hop basically replaced rock and roll as the youth music. The same thing can happen to Hip Hop. It can be replaced by other forms of music. So we making sure that we put the effort into making the best product so we can contend with all this other music, with all the dance music that’s dominating the charts right now and indie Music that’s dominating the festivals."


Young Jeezy Talks "Shake Life" Remix, "The Real Is Back 1&2" and "TM103" (BLOG,Video)

(hiphopDX)Jeezy shares information about his upcoming projects as he prepares to release "TM103."

With TM103 (a/k/a Thug Motivation 103) coming in September, Young Jeezy recently addressed the "Shake Life" remix, his upcoming mixtape and more about his "growth." During an interview with Jenny Boom Boom, The Snowman talked about who is scheduled to be on the "Shake Life" remix and why he decided to make aReal is Back 2 mixtape.

"I can't give it up," he said of the guest who will be on "Shake Life's" remix. "I'ma put another artist on it, somebody that I happen to think would fit the record. It's going to be big. Actually, I was trying to get him on the original version but it didn't happen fast enough so I'm just going to make it the remix."

Fans have also been excited for his mixtape, The Real is Back. Those fans can celebrate the release of The Real is Back 2, as well. Jeezy mentioned that the new tape is slated to drop before TM103.

"I was so hyped up on it that I went back in the studio a couple of weeks ago and recorded The Real is Back 2. We'll drop that record before the album."

Why release so much material before his album's release? According to Jeezy, it's part of a winning formula for him, one he adopted when he droped his debut.

"That's how I got in the game. We were grinding hard. It's hustling...You've gotta put music in the street. You've gotta to be out there. People got to know you're coming."

Naturally, this gave way to talk about TM103, an album many people have anticipated for some time. Understanding this, Jeezy says he took his time for a reason.

"I just wanted it to be special because I promoted it for so long," he explained. "If you're going to make somebody wait for something, it's gotta be right."

He also acknowledged that his subject matter has changed somewhat, a move that came "naturally" as grwoth.

"I had to show the growth, quite naturally. Everybody knows I ain't standing on the corner no more, so I ain't even want to go that route. I had to go kind of worldly. The world is my trap now."

The tracklist for TM103 was recently unveiled. The entire interview can be seen below.

Brandy to Star on 90210

Brandy’s heading for the Hills!



The actress-singer-reality star is joining 90210 for a major Season 4 arc, TVLine has learned exclusively.
She’ll play Marissa Jackson-Lewis, a charismatic young politician running for congress in California against Teddy’s (Trevor Donovan) conservative uncle. “She’s a cross between Hillary Clinton and Barack Obama,” notes a source close to the show. “She’s inspirational but with a drive to get the job done.” To that end, Marissa hires Silver (Jessica Stroup) to create a video campaign to reach the youth vote.

Brandy, who earlier this year guest-starred in four episodes of Lifetime’s Drop Dead Diva, is slated to make her 90210 debut in October.

90210 returns Tuesday, Sept. 13 at 9/8 c.

tvline

ABC Apologizes for Nicki Minaj's Nipple Slip

NEW YORK — ABC News is apologizing for a wardrobe malfunction that gave singer Nicki Minaj more exposure than she bargained for.



Minaj appeared Friday on the “Good Morning America” concert series, wearing a loose-fitting halter top that she occasionally had to adjust. As Minaj sang “Where Dem Girls At,” some slips made one of her nipples fleetingly visible.

Despite a five-second delay, the slips were seen during the East Coast’s live telecast. ABC said they were edited out of Friday’s later feeds to other parts of the country.

ABC says in a statement: “We are sorry that this occurred.”

AP

Queen Latifah Reveals What Makes A Woman Sexy in Sister2Sister

Sister 2 Sister posted this excerpt from their recent interview with Queen Latifah in their September 2011 issue. If you ever wanted to know what the creator of "Single Ladies" thinks makes a woman hot sh*t, check it:



Queen Latifah: …I just like ladies who have class. Period. And if it’s “T and A” you’re sellin’, that’s fine, as long as that’s what you’re selling. But you don’t have to show everything, you know? You can hold some back and just be yourself and let your personality shine and let your individuality show. To me, that’s sexier. A confident woman is a sexy woman, in my opinion. And I think guys find that to be the same way.

Jamie: Right.

Queen Latifah: You don’t have to show everything; you don’t have to put it all out there to attract a guy. Because what kind of guy are you gonna attract? What is he really looking for? If you wanna be a booty call, I guess you can throw it all out there. (laughs) But if you’re looking for a relationship with someone who respects you and respects things other than your body—your mind, your spirit, your personality, your smile—then you have to kind of exude that more so than just yo’ booty and yo’ titties.


Alrighty. Now--S2S didn't post what their exact question to that first answer was or the context in which these comments were made. So even though it may sound like Queen is talking about what type of women she finds sexy for her taste (and y'all know exactly what I'm talking about), it could have just been an innocent question as to generally what makes women sexy.

The full interview is in the new issue hitting stands soon.

theybf

Beyonce Goes Platinum With "4"

Beyonce stans just helped her latest album, 4, reach platinum status. Deets inside...



According to her official website, Beyonce's album 4 has been certified platinum by the RIAA. A statement on the site read....

"4 has been certified Platinum by the RIAA. Thank you to all the fans that purchased the album. We hope you’re enjoying it as much as we are.”

Beyonce recently revealed that the year she took off work was to protect her mental health.

“I couldn't even tell which day or which city I was at,” she told The Sun. “I would sit there at ceremonies and they would give me an award and I was just thinking about the next performance. I never really thought about how fortunate I was - it was onto the next project and the next day.”

Well now that she has her fourth platinum solo album under her belt, it looks like the rest paid off.

theybf

Kelly Rowland Becomes Face of Sean John Perfume

R&B singer Kelly Rowland is continuing to have a strong year, after putting out a hit single and following it up with a new perfume line. She has teamed up with rap mogul Sean “Diddy” Combs on his second women’s fragrance ‘Empress,’ which also serves as the counterpart to his men’s fragrance ‘I Am King.’



“Yeah, I’m the new ambassador for ‘Empress’; I just love what ‘Empress’ represents. It’s just women that are beautiful and powerful in their own right,” Kelly recently told Access Hollywood.

In the press release for the fragrance, a woman that wears ‘Empress’ is described as “a force of nature, powerful, enchanting and uniquely feminine. Her presence captivates and her words inspire, compelling those around her to her cause. Men long to be by her side, women want to know her secrets.”

The scent is said to be composed of a “crisp, fruity floral with notes of Key Lime accord, mandarin, starfruit, raspberries, passion flower, peony, cardamom, ambrette seeds, vanilla, sandalwood, crystallized caramel and second skin accord.”

‘Empress’ will be available exclusively at Macy’s department stores nationwide in August, and sell for about $57 to $74.

singersroom

'Only Girl' Songwriter Crystal Nicole Inks Record Deal with Blackground/Interscope

For the past several years Crystal Nicole has been working behind the scenes penning songs for Beyonce, Rihanna, Mariah Carey, Brandy, Monica and others. Now with a brand new record deal, the Atlanta native is following the same successful path as Ne-Yo and Keri Hilson transitioning from songwriter to artist.



Eariler this year, Crystal Nicole won a Grammy Award for writing Rihanna's "Only Girl (In the World)" featured on the 'Loud' album. After learning the business and working with award winning artists and producers, Crystal Nicole moves into the spotlight with the release of her first single "Pinch Me." With the launch of her artist career she is using her voice to talk about the importance of having a "voice against domestic violence."

Listen to the Crystal Nicole's lead single "Pinch Me."

singersroom

Ashanti Back In The Studio Working On New Album

Ashanti is back in the studio working with folks like Lil’ Wayne, and now we have her first promo pic from the new project. She’s also been tweeting about being in the studio for a few months now, most recently saying….



“Up in the studio with mad Haitian dudes dancin around!!!! Speakers knockin!!!! This beat is crazy!!!!!!!! SaK Paseeeeee!!! Lol!!!!”

So, who is ready for a new Ashanti album?


ru-crazy

Nicki Minaj and Ricky Martin Are the New Faces of MAC's Viva Glam

MAC Cosmetics has just named Nicki Minaj and Ricky Martin the new faces of the Viva Glam campaign, which releases a limited edition lipstick every year with to benefit HIV/AIDS programs.



The duo will take the reigns from current campaign faces Lady Gaga and Cindi Lauper and are shooting ads today in Miami with photographer David La Chapelle for the campaign which will debut February 2012.

Last year Nicki proved she’s a great fit for the brand when she created a cotton-candy colored limited edition “Pink Friday” lipstick for MAC that flew off the shelves and sold out. The Young Money princess is already bursting with excitement over the new color! “Can't wait for my barbz & ken barbz to wear this new shade of lipstick! Wait til u see it! Sickening!!!! #VivaGlam2012” she Tweeted after spilling the good news.

To date, MAC has raised $224 million exclusively through the sale of its Viva Glam lip products, with 100 percent of proceeds going to the MAC AIDS Fund.

bet

Amy Winehouse Paid Tribute By Mark Ronson, Mary J Blige, More (Added Video)

As London police continued their inquest into the death of Amy Winehouse on Saturday, tributes to the troubled singer poured in from friends, admirers and perfect strangers in awe of a major talent gone too soon. From Russell Brand and Kelly Clarkson to longtime producer Mark Ronson, the condolence notes paid homage to the 27-year-old crooner's prodigious gifts as well as her haunted soul and the demons that chased her for much of her public life.



At press time, there was still no word on a cause of death, though an autopsy was planned for Monday according to reports. Shortly after Winehouse's body was found in her London apartment on Saturday, officials said the death of the singer who long struggled with addiction to drugs and alcohol was being treated as "unexplained," though foul play was not suspected.



One of the most touching and personal tributes to Amy Winehouse came from actor Russell Brand, who also famously struggled with substance abuse before finding sobriety in 2003. Brand wrote a lengthy post on Saturday in which he touched on the dangers of addiction and sadness over an artist he called a "genius."

"When you love someone who suffers from the disease of addiction you await the phone call. There will be a phone call," he wrote of the dreaded ring in the night with bad news. "The sincere hope is that the call will be from the addict themselves, telling you they've had enough, that they're ready to stop, ready to try something new. Of course though, you fear the other call, the sad nocturnal chime from a friend or relative telling you it's too late, she's gone."



He recalled his long friendship with Winehouse, joking that he'd first heard her described as a "jazz singer" and how that struck him as odd in this modern age. "I chatted to her anyway though, she was after all, a girl, and she was sweet and peculiar but most of all vulnerable," he recalled.

Brand, then fresh out of rehab, said he could discern the taint of addiction in Winehouse, and went on to describe the first time he saw her perform live. "I arrived late and as I made my way to the audience through the plastic smiles and plastic cups I heard the rolling, wondrous resonance of a female vocal," he wrote of the gig he ended up at by coincidence.



"Entering the space I saw Amy on stage with [Paul] Weller and his band; and then the awe. The awe that envelops when witnessing a genius. From her oddly dainty presence that voice, a voice that seemed not to come from her but from somewhere beyond even Billie [Holiday] and Ella [Fitzgerald], from the font of all greatness. A voice that was filled with such power and pain that it was at once entirely human yet laced with the divine. My ears, my mouth, my heart and mind all instantly opened ... So now I knew. She wasn't just some hapless wannabe, yet another pissed up nit who was never gonna make it, nor was she even a ten-a-penny-chanteuse enjoying her fifteen minutes. She was a f---ing genius."

Admittedly, he paid more attention to her now that she was famous and she came on several of his TV and radio shows. Sadly, though, he saw how she became more defined by her addiction than talent, as the media focused more on her downfall than her gift. The combination of that coverage and his personal interactions with Winehouse brought the severity of her addiction into focus for Brand, who reached sobriety at 27, the star-crossed age at which she joined a dubious club of musical tragedies that includes Nirvana's Kurt Cobain, Janis Joplin and Jimi Hendrix.



"Whether this tragedy was preventable or not is now irrelevant. It is not preventable today. We have lost a beautiful and talented woman to this disease," he wrote. "Not all of us know someone with the incredible talent that Amy had but we all know drunks and junkies and they all need help and the help is out there. All they have to do is pick up the phone and make the call. Or not. Either way, there will be a phone call."

Many other stars including Rihanna, Usher and Nicki Minaj — most of whom had never even met Winehouse — were touched by her passing and took to Twitter to express themselves.



And then there were those who knew her intimately and helped craft her career. Former producer Mark Ronson, who produced such hits as "Rehab," "You Know I'm No Good" and "Love is a Losing Game" from Winehouse's breakthrough 2006 Grammy winning album, Back to Black, was devastated by the loss." She was my musical soulmate and like a sister to me," he said. "This is one of the saddest days of my life."

The other producer who helped bring Winehouse to prominence through is work on such tunes as "Me & Mr. Jones" and "Tears Dry on Their Own," Salaam Remi, tweeted, "Very Very Sad Day. Just lost a Great Friend and a Sister ... RIP my baby SiS Cherry Winehouse. Love ya always."



Ageless crooner Tony Bennett, 84, one of the last people to work in the studio with Winehouse when he recorded the standard "Body and Soul" with her in March, called her "an artist of immense proportions," and told US Weekly that he was "deeply saddened to learn of her tragic passing."

Newer British stars, such as Jessie J, also weighed in: "The way tears are streaming down my face. Such a loss."

The New York-based soul band the Dap-Kings, who were featured on Back to Black and toured with Winehouse in 2007, said in a statement, "We are very sad to have lost Amy Winehouse today. She was one of a kind and we were fortunate to have had the chance to make music with her. She was always gracious and a pleasure to work with in the studio and on the road. She brought a lot of people joy with her voice and her irreverent personality. It is a tragedy that she was taken from us so soon when she had much more music to give."



Other celebs who paid tribute include:
Mary J. Blige: "Rest in peace Amy Wine House. I hope the after life brings u the piece u were searching 4 on earth. Love MJB"

Kelly Clarkson: "I'm incredibly sad. I didn't know her but I met her a few times and got to hear her sing before she blew up. She was a beautiful and talented girl. I'm angry. What a waste of a gifted person. What a shame she saw no hope and continued living her life in that manor [sic]. I have been that low emotionally and mentally and that is overwhelming. I keep asking myself why some of us are spared and the others are made examples. I'm very angry and sad. I don't know why it's bothering me so much. Sometimes I think this job will be the death of us all, or at least the emotional death of us all ... My thoughts and prayers are with her friends and family. I am so sorry for your loss. I pray for peace in your hearts."



Paramore's Hayley Williams, " Just read about Amy Winehouse. Can't believe it. She'll never truly be gone cause have you heard that voice? Rest In Peace Amy."

mtv

Head Up - Garnell Murray - (@GarnellMurray) (Audio)

Hi I'm a 16 year old artist by the name of Garnell Murray with a unique sound that's generating a lot of buzz in the Midwest. My sound is best described as "The NEW old school" I've attached a photo as well my new single "Head Up"

I am interested in having my music featured on your network to become more than just a local sound. Any feedback and support would be greatly appreciated.

More ways to contact me and hear more of my material:
youtube.com/OfficialGarnell
twitter.com/GarnellMurray
facebook.com/GarnellMurray
414-243-5865
garnell_teg@yahoo.com

Uncle Otis - The Game (AUDIO)(UPDATED)

We don't know where to place this, we don't know if this is a diss, or what to call this. There was some shots fired throughout the track. One thing we know about dissin Jay is you gotta come harder than that. It is what it is though, In music you always need that one person who is'nt scared to say what's on their mind. Game gets points in that area. We know The Game will always give his opinion on how he feels about music. We dont think Uncle Otis is the 3 Pointer to win the game, its more like the half court shot at halftime....and the other team is still winning.



(UPDATE) (VIBE SPOKE TO GAME and He Broke down the words)



As the laughter and banter ensued, we felt the need to get Game on the phone and see just why Chuck Taylor decided to hurl more rocks at the Throne.

"Hurricane Game is back—no more games," Game tells VIBE on his latest scathing diss track. "It's R.E.D. Album time—fuck the bullshit. I'm about to go back to my old self and start killing everybody."

"Man, with everyone [the beef] is ongoing. It might have died for a minute but I aint never forgot about it. With 'Uncle Otis,' it's just a shot in the dark, man. it aint for nobody to take personal. It's like my version of 'How To Rob.' I'm just having fun, getting back to the days when I was just spittin."

"I did this shit at like 5:00 AM man with five-seconds on the clock. I heard 'Otis' before I got to the studio, like 'Oh this is 'Otis'?. I gotta kill this shit.' We couldn't find the instrumental , so my man Mars 1500 did a new beat."

Reciting the craziest lines from "Uncle Otis," we had to ask for a detailed expalnation for each. —Mikey Fresh

Game breaks down the most lethal diss lines on "Uncle Otis" below:

At Jay-Z: “Here is a dome shot to this n—a named Otis/ Niggas think they the coldest but n—a you just the oldest/N—az be chasin they youth but its gone/Yo, ‘Ye this n—a ain’t even wanna put you on and you turn around and put on Shawn…"

Game says: It's just the truth man, Jay had a time when he was unfuckwitable. Nobody could touch him and I feel like that time has kinda passed. Jay is like Sugar Ray Robinson if hip-hop was boxing. There comes a time when you gotta be like Lenox Lewis and you gotta go out when you're on top as king. Versus trying to do the MIchael Jordan thing playing for the Wizards.

At Jay-Z and Kanye: “Who run the world?/Jason./Will Kelly Rowland come and be my “Motivation”?/if you invented Swag then I invented gangsta/ got one in the chamber/the throne is now in danger…”

Game Says: "I feel like they saying 'Watch The Throne'— I'm watching. Let's go! I'm not impressed with nothing right now. The Throne is for the taking, anybody can get it right now. I'm take my shot on August 23rd.

At Kreayshawn: And I dont wear no Fendi Fendi Gucci Gucci Prada/ I'm Charles Loubotin/U niggas aint saying Nada/ Little white bitch betta stay in ya place /call me a nigga, I'm stick the K in ya face

Game says: I was just fuckin' around. I never met her in real life or even know what she looks like. I just seen the N-word shit on Twitter. It's just a shot in the dark and I don't really think she could do anything if she takes it personal. But her saying "nigga" ain't cool. That ain't never gonna be cool, ever ever.

Tyler: “I created Tyler the Creator/ Here go courtside seats / You’re now tuned into the greatest”

Game says: He's from the West Coast and anything that came after me on the West is something that I had a hand in creating. Just like Snoop and Dre with me. It ain't a shot, we just talked this morning. It's all love.

Marc Anthony: Jennifer Lopez just got a divorce and I already got her in the Porsche/trying to teach her “how to love, how to love”/ Marc Anthony too short look at that n—a look and I’m “6 Foot 7 Foot 8 Foot”…”

Game says: I just had to put my two cents on it, J.Lo's back on the market. [Laughs]


Final Words: "If see Uncle Otis, tell him to holla at me." - Game

No Doubt Working 3 Different Songs With Major Lazer

No Doubt are currently occupied with the work on their comeback album. They recently posted a picture of them hanging out in studio with production duo Major Lazer, the mastermind behind Chris Brown's "Look at Me Now" and Beyonce Knowles' "Run the World (Girls)".



Guitarist Tom Dumont then shared their recording session, "We're working on 3 different songs tonight [sic] in 3 different rooms in the same studio complex, all at once. Like magic, somehow it works. @majorlazer in one of those rooms. Cutting drums with Adrian [Young] at the moment."

Gwen Stefani and her bandmates announced reunion in 2009 after four-year hiatus. They followed the announcement by mapping a tour with Paramore. Talks about new album were brewing ever since, and it was confirmed for 2011 release by Gwen last April.

"The main thing we were trying to do is write really catchy good songs," the frontwoman gushed. "We got about 10 songs done and we want to do a few more just in case, but it's a really good record, I really love this record."

Otis - Jay Z - Kanye West (Audio)

So the verdicts are out, some say they hate the new song by Jay Z, and Kanye, Others say they love the No Hook fashion...Well we say Jay Z, and Hov Did exactly what they always do, Drop something Left of the competition, Raise the debates, and takeover from the arguments! This is what hip hop needs whether you like it or not, its these type of moves where you argue about the wordplay, and the simplicity. Where the new age argues the song doesn't have a catchy bass line, but hip hop official's scream for more of that "1994 Rap"

We personally here at Indytrack hustle and Over Time Grind, are just happy not to hear another Auto Tune Track from Yeezy Explaining some diabolical moment in life while he is overseas chillin lol. Just give us that old school Cocky My flow is better than your Kanye for a while...To Us Otis is not MJ from the Free Throw Line...But it is a easy Between The Legs 360 Dunk. Especially comparing to the other music that's springing a leak!




Wale Explains Cockiness, Why He Joined Maybach Music Group (BLOG, AUDIO)

(HipHopDX,CultureVI) In a heated interview, Wale talks about why it's okay to be confident and why fans need to look past Rozay's co-sign and more into his lyrics.

Over the past 12 months, Washington D.C. rapper Wale has taken a lot of flack from fans for signing with Rick Ross's Maybach Music Group. Despite the criticism, Wale proved that he could hang with Rozay, Pill and Meek on May's Self Made Vol. 1 without having to sacrifice his artistic credibility. Now, in a lengthy and explosive interview with Culture VI, Wale addresses those who doubted him switching to Rick Ross's label.




Full Text of Interview -

Wale: 11 people in the studio right? They’re gonna hear this interview, because it’s important

Culture VI: Lot of respect for agreeing to talk

Wale: We can keep this interview respectful, because it took a lot. In the tweet you said something to the effect of, I don’t wanna get it wrong, what did you say?

Culture VI: I don’t know, I’ve said a lot of things on Twitter

Wale: It was something like my album wasnt good and I’m cocky, right?

Culture VI: Yea, that’s comes up a lot

Wale: Before we get into this, just like you’re recording this interview, the whole room is gonna hear it. I haven’t done an interview in a very long time, you feel me? (puts on speakerphone)

Culture VI: No problem. I’m glad you agreed.

Wale: I wanted to do this interview, first and foremost, because I’m all about inspiring myself,, and I ain’t really done an interview in a long time and I probably get a lot of text messages from certain people “why you do it?”. It was necessary because you are somebody that, I read your time line, you are somebody who is intelligent and well spoken so I thought it was interesting to hear those comments you made about me and my work. Especially the personal things, like the ‘cocky’ and all of that. So we can get right into the interview. I just wanted to let everyone know why I was doing this weird ass interview in the middle of a studio session. Weird not meaning the person I’m talking to, but weird as far as people are working on an amazing song here. I got a rock band in here, I got Rosco Dash in here, I got 3 producers and I got some crazy engineers here. I wanted to stop just to do this interview, just a little intermission.

Culture VI: I appreciate that. Listen, I’m a fan of hip-hop, I root for anybody to make good music, I never root for somebody not to make good music, selfishly, because I want to hear it. I’d like nothing better than for you to make an album that I want to listen to. And that’s why I’m glad we’re getting a chance to talk, because not being a friend of yours, and not knowing you personally, I can only speak on what I hear through the music, through your other interviews and social media. So getting to talk to you directly, I feel I’ll at least get a better picture of who you are and your thought process. So starting off, I’m gonna get right into it, what do you feel is the biggest misconception about you?

Wale: I mean, there’s a lot. Human beings, that’s what we’re here for. We’re supposed to misunderstand each other. If everybody understood each other, we’d have wings…and we’d be able to talk to God. Now I say that and say this, my music is based on reality and artists are supposed to almost accentuate all of their qualities for better or worse. I’m sure the most depressing song ever written by the most depressing person on Earth wasn’t as depressed as they depicted it to be. A song is supposed to accentuate human emotions. So, I put those things and emotions on the genre, Hip Hop, where we are praised for how we say rather than what we say. So if I exude confidence on a hip-hop record and I’m really good at exuding confidence on it, you’re gonna call me cocky? Well what should I tell you? I woke up at 8 o’clock this morning, ate a bowl of cheerios, went to the studio, made a mediocre song, and went to sleep? Is that what people would prefer you think? Because I’m sure if I said I put on some 400 dollar Jordans, a Moschino shirt, and some PRPS’s and I went to the studio and killed every nigga in hip-hop on a song…motherfuckers would check for me. I’d get close to a million followers quickly.

Culture VI: It seems that fans and people I see on Twitter, they really have exceptionally strong opinions of you. Whether it’s positive, negative, accurate or not, a lot of people feel one way strongly. What do you think it is about you specifically that’s so polarizing? That gets people on one side or the other?

Wale: It’s the “Sanders Theory”. Deion or Barry, pick one. People love Barry Sanders for doing what? For damaging his body for the Detriot Lions for 10 years. Then when he walked away from the game with both of his knees intact, I heard the worse things from people of that area, the Lions fans, about him. Deion, put it all out there. I’m gonna high step. I’m excited. I’m gona put it all out there. I don’t get to score that many touchdowns, so I’m excited. Come enjoy this joy with me. Music is a drug, my nigga. Be happy with me, be happy for me. I sold 28,000 records my first week, with no push from my label. My mother couldn’t even buy my album from across the street from my house. You don’t think I’m supposed to be excited to still be here? Working with Rick Ross, one of the hottest rappers in the game? You don’t think I’m excited to have a double platinum record with Roscoe Dash and Waka Flocka? Them same people who was talking about this, that and the third, hip-hop blah blah blah, are the same people in the club singing “No Hands” verbatim. Same people saying “Wale, he’s selling out, blah blah blah”, those are the same people rocking when “No Hands” came out. “Why is he doing this, what’s going on?” Hip Hop. This is hip hop music. And my mission statement is to never dumb it down, but never over-think it.

Culture VI: Do you think that people are overly critical of you? Do you think their expectations are too high?

Wale: Let me tell you something. I literally, physically, in real life, live ten minutes away from the President of the United States. I’m the only rapper. Our sports teams ain’t doing too well. I know the target is on my back and on my chest. Next question is “do I give a fuck?” and how much do I, if so. You got to have the target. I wasn’t talking like this before. Because it’s like, you know what? Let me just keep some of my feelings back. But that ain’t having ambition, you know what I’m saying? The night of, it might have been last year, it was one of the BET Awards. That night, I sat in my hotel room and I didn’t sleep. I knew I was going to leave Interscope. I knew it. You still listening?

Culture VI: Yea, I’m hearing it, I’m hanging on every word.

Wale: Why you hanging on my words right now? Besides the fact you’re doing the interview, why? Are they interesting?

Culture VI: I think anybody’s personal story is interesting as long as they’re speaking it truthfully.

Wale: Nah, I can tell you 90% of this room’s personal story, if told exactly the truth, it wouldn’t be interesting, probably. So anybody’s story isn’t interesting. Having a wife, kid, a dog? That’s not interesting. Going to college for four years, graduating, making $100,000 a year? That’s not interesting. Selling 28,000 records and the whole spiel that I just gave you might not even be interesting, but it’s a lot more interesting than the aforementioned.

Culture VI: Do you consider your career where you’re at right now? It sounds like you do.

Wale: I obsess, I OBSESS…over success. And I’m not there yet.

Culture VI: Okay. What is success? What’s your personal definition?

Wale: It’s within. I know the bum standing under the bridge on New York Avenue in DC might feel successful some days. It has nothing to do with personal wealth, how much pussy you get, how much money you got. In my mind, I have an unexplainable goal that I have to reach and I won’t know it until I’m there. When I’m there, I’ll know, but it’s just not now. I can’t define what successful is. The day I can define successful, a blind man can describe what yellow looks like.

Culture VI: Alright, let me ask you this question. How close to fulfilling your potential were you on Attention Deficit. Like, if your talent is a 10, where was that album? How reflective of your talent was that album?

Wale: Albums are like, this is about to sound so cliche, but albums are like journal entries. I just wrote down what I’m feeling. So who the fuck is anybody to tell me that what I’m feeling isn’t conducive to life? It’s conducive to my life. I really went into a bathroom and seen girls doing blow! I wrote about it, you like to hear it? Here it go. “Chillin” – that was my shit! When I wrote it, I was feeling it! That’s what I was feeling. And I’m doing the same thing with this Ambition album. I put everything that I’m feeling now. And I’m older now, I wrote Attention Deficit like 3 years ago.

Culture VI: But, when you’re talking about music, you’re not just talking about the words and the feelings you write down, you’re talking about how you put those feelings down behind the music. How you craft it and craft the songs. And when you listen to Attention Deficit right now, was that very reflective of your talent or could you have done more? Do you feel like where you were at that part of life was reflected on the album?

Wale: With all due respect, and I say this with confidence because I know there’s a thin line between confidence and cockiness, that’s why we’re on the phone right now. You’re going to hear Attention Deficit tomorrow, or sometime after this interview, and you’re going to hear 3 or 4 things that you didn’t notice. And I promise you that. And I don’t even know you. I think that’s good music. I think that’s what good music is.

Culture VI: So you feel it was reflective of your talent level?

Wale: Listen, I have no reason in my mind to believe that if some of them records got the exposure – I got the whole video for “90210″ now and everybody was thinking– these people that came on board recently will think it’s a new record. And they’ll probably call the radio station and ask for it, or they’ll probably try to find it. And then they’ll feel silly, because it’s been out for 2 years. But the timing is everything. Timing is 100% everything. Me and J Cole dropping in 94? Quatruple platinum in 94! Kendrick Lamar, Big Sean, me, all of us? WIZ KHALIFA?! You trying to tell me Wiz Khalifa was nominated for Best New Artist? You talking about the same Wiz Khalifa that I was bumping in college?! Oh okay. Timing is everything, my brother. And at the time, when I wrote Attention Deficit, it was the time. And Ambition will be the time. The only difference now is the microphone is a lot louder. And niggaz got that fucking fuckery out they ears.

Culture VI: Alright, you mentioned 90210. You had that, Shades, Diary. I mean, you had some very lyrical type records…

Wale: Was I cocky back then?

Culture VI: On the records, or right now?

Wale: No! I’m giving you what you want. Was I cocky back then? That was the question I’m asking

Culture VI: Honestly, I listened to the album. I didn’t get the cockiness sense as much when I listened to the album the first time, I was really just starting to check your stuff, I had listened to the mixtapes first.

Wale: So what did you think?

Culture VI: My personal opinion? I wasn’t very impressed by the album. I mean, I liked some of it…

Wale: Good, I’m glad though. The album probably wasn’t for you. I don’t know you, but I don’t think you’re a woman. I don’t think you would relate to Shades.

Culture VI: I thought Shades was very well written though. That was actually one of the records I liked. I liked Shades, I liked Diary. I felt you on those because it sounded like you. What I personally felt, as I started listening to your catalogue, I started hearing a lot of the same type of records, especially when I listen to Self Made. I was listening to Self Made, and I was trying to wonder where this wonder kid Wale went because I just started hearing–

Wale: The wonder kid of Wale hadn’t been born yet, because apparently my first album wasn’t to your standards or to your liking. And, what you got to understand, in Hip Hop, when did you ever hear Biggie rap like how he rapped on Notorious Thugs? On Notorious Thugs right? So..if, in fact, that’s “infack” too, that’s a DC word, “infack”. If in fact, Bone Thugs and Harmony and Biggie both went diamond, and then said “You know what? Let’s do an album together.” I’m quite sure…that the greatest rapper of all-time…would be rapping like Bone. Would be rapping like Notorious Thugs. And I’m pretty sure, God bless the dead, if Biggie’s album would have came out AFTER that, he’d be rapping like motherfucking Christopher Wallace! Next question, please…

Culture VI: Rick Ross has a very specific formula that he follows. It’s really reminiscent of 50 Cent. When he did his album, he just kind of regurgitated the same type of sound until everybody was tired. I’m not a Rick Ross fan, but I liked his album. I listened to Self Made, and I’m already getting tired of the sound. And then I hear someone like you, who is very creative, and I start to wonder is this going to stifle your creativity, when people are already criticizing you for not showing growth.

Wale: It’s a slight possibility that we put an album together for the people that appreciate the summer. It’s a slight possibility that we kept all the ideas for the albums, like the reaaaaal stuff. Maybe. I don’t think we’re going to sit around with like Steven Spielberg, Hype Williams, Spike Lee and everyone else to create this big movie compilation for the people. We gave them records this summer! I don’t hear no complaints from Flex, Envy, none of them. But I understand your concern, and I appreciate it, as a somewhat of a fan. But, you got to understand who you’re dealing with. My first record, the first verse on there was only 8 bars! That wasn’t no profound shit! ‘Name Wale, they probably know me from the Roc” What the fuck man?! “Shake it, shake it, shake it offff”. That might sound crazy to everyone else, but everybody in DC, they’re going to know that for the rest of their life. So how you going to say ‘Oh, I’m doing a song Malcolm X, and I’m not providing anything for the people’? You talking about somebody who made a song called “Rhyme of the Century”, wrote it when I was like 19 years old, and wanted that to be my biggest record, first song ever! Right? I’m the same person! Listen to Malcolm X. I got a lot of Muslim family members and friends. There’s a lot of gems in that verse. If you can look over the fact I’m rhyming on a quote-unquote “Lex Lugar-sounding beat”, or rhyming with two ex-drug dealers. If you can look past that and listen to the verse…you MIGHT hear something, just maybe. If you know into anybody who’s into sneakers and collects sneakers, you MIGHT understand all the jargon I’m talking about in “Fitted Cap”. And I sound very narcissistic right now, like I’m talking down, but that’s not it. I’m going to defend my music. That’s why I take so long to write some of them verses, so I can defend them. Now why don’t you read–somebody got my lyrics up for “By Any Means” – READ IT! You can google it, then read it! And then go ask anybody who know the Qu’ran, and who is appreciative of the faith how they feel about that. Because I touched a lot of with that who never really knew. There’s beauty in that, my nigga, like for real. Really. There’s beauty in that 14 year old kid who slept outside to get them new Jordans, but you ain’t heard me talk about them sneakers in two years. There’s beauty in that. There’s beauty in a lot of motherfuckers that cried, begged, screamed, kicked down the door to hear Wale on a Just Blaze record right? I gave that initially. And the first verse was for you, fortunately. “They tried to tell me I don’t fit up in this mothafucka/ Cause Rozay be talkin’ white, he think he Uncle Ruckus”. Well that might be the case. I can get a Just Blaze beat on my solo album now because of that! That means something to me! “Running Rebels”…that’s hip-hop right there. That’s the same producer that was on my first mixtape who made that beat! Did he change too? Did he do anything different? Nah, that ain’t gonna say that. If I would of put that joint—if I would have made a mixtape 200 Miles Runnin and put that song on there, and put By Any Means verse and rapped it on something with a sample that I probably could never clear, ‘Oh yea, Wale so hip hop. Yea’. These quote-unquote “hip-hop enthusiasts’ don’t—they getting the game fucked up now. Everybody’s an A&R.. for the world’s record label. And they signing everybody. Youtube niggas, everybody, everything. You not listening. You stopped listening! You used to listen, you stopped. You know why you stopped? Because you became an A&R like everybody else. They stopped listening, they started—. Now everybody sizing up. Nobody want to get in the motherfucking game, but everyone wants to call the fucking plays now. Ya’ll stop listening. The niggas that’s listening is Clark Kent, who called me, say “Man, my nigga, you killed that”. Young Guru to call me. For Fab to say “Man, you killin that shit”. They ain’t stop listening. It’s the niggas with the computers, that sit down there and analyze everything. If you go out and see the world and enjoy the club, and see some women and see some things and read some things, and stop looking at the fact that I’m rhyming over something that might sound like something you heard before and listen to the words, like hip hop used to be…niggas might see something.

Culture VI: That’s actually a very fair point. I agree 100 percent when it comes to that. Me personally, I’m 34 years old, when I go out—

Wale: OHHHH! So there you have it! I’m 27, you’re 34 right? So where does that leave us?

Culture VI: Nah, but see, that’s different. I’m not criticizing for something not sounding like it came out of 1994. When I’m out, I listen to the Rick Ross records in the club. Or when I’m with my wife on Friday night–

Wale: What club you in?! What club you went to? What club did you go to? I’m serious, with all due respect. Because in 8 years, when I’m there, chances are I’m not trying to hear nothing geechy niggas is talking about no more, for real. So what club you went in that you got an opportunity to analyze whether or not if you liked how a Rick Ross record felt?

Culture VI: I don’t listen to Rick Ross in my IPod. I listen to Rick Ross when I’m out, when I’m having drinks. I listen to probably half the records on Maybach Music when I’m out

Wale: I’m just going to tell you, because I know you’re an intellectual dude, but you’re showing signs of weakness because you contradicted yourself. I don’t want to tell you where, because when the—you can play it back, and you just did it like 3 times. I respect you enough to tell you that. Because if I didn’t I’d just wait until you got off and just tore you a new one. But I’m not even going to mention it. Now or then. So now back to the ole ‘you heard the album’ while out. Heard half of the album while you were out. It’s about 14 songs on there. Last time I checked, we didn’t have 7 singles. But…I think you might be a closet Maybach fan, so we all good.

Culture VI: I told you, I listen to the records. I wouldn’t put it in my IPod—

Wale: But you just told me you heard it when you was out! We don’t have 7 singles out! You heard all 14 records while out? Wherever club you was at, they played all 14 Maybach records? Who the DJ? Ross probably need to sign that nigga. You heard the whole album.

Culture VI: No, I listen to any new album that people are talking about that has something that interests me. I’ll listen to anything and give it a fair chance. Of course I would, why wouldn’t I? I talk music all day.

Wale: And I appreciate. If you actually sitting back and taking an honest look into the music, I respect that. But if you’re being like a lot of these people that all of the sudden are A&Rs, they probably work at Safeway, or go to school or could be a doctor, a lawyer whatever, but they (want to be) A&Rs on the internet? I can’t respect that. You got to go out and touch the people, you got to go out where we at. By all means, I am not no street nigga. I don’t try to be no street nigga, I don’t want to be no street nigga. I’m a regular nigga, born in D.C., grew up in the suburbs of Maryland. Around a WHOLE lot of ignorant niggas though. So I understand. I understand. My best friend been locked up for 6 years. I know! You know what I’m saying? So before niggas go into that “Blahblahblah, what is he doing?” Nigga! First of all, I always rapped about bitches! And I rapped about women. So, we can throw all that “Blahblahblahblah, he’s rapping–” Nah, that was always the case. I’ve always had subject matter. There’s always subject. It’s all over the album if you listen to it. Maybe you should read the lyrics then. Maybe it’s not for you, but the words is there. If you read it, you’d feel it.

Culture VI: My thing is, I’m listening to some of the Self Made songs, and unless I’m out somewhere, it wasn’t hitting me like that. When that happens, you stop paying attention to the lyrics. Because a song is more than lyrics, it’s the whole package. And that’s what I think that Wale fans are afraid of, that you’re going to lose some of the creativity and—

Wale: But…according to you, my first album wasn’t GOOD, so it’s not much to lose is my point. You can’t be the same person telling me I made a mediocre first album and telling me I’m going to lose my creativity. Something wasn’t there from the jump! In your eyes. So all it is right now for you to do is get your popcorn, get your seat, get your yellow Nuvo, you know what I’m saying? And sit down and be like “Ambition on the motherfucking way, let’s see what he do”.

Culture VI: Well, like I did with Attention Deficit and like I did with Self Made, I am going to buy the album, I am going to take a good, honest listen to it. I am going to root for a good album, because I want what every other hip hop fan wants. We just want more good music.

Wale: But guess what though? The whole point of this interview is for the fact that I want you to, in some shape or form, in your mind, root against me. And then I want you to be miserable for the first week the album come out. And then I call you again like “What’s up, bro?” Win, lose, or draw. Because I don’t know what success is, but it’s not in the form of record sales right now. But we’ll find out. Maybe we’ll know what success means when that motherfucker come out.

Culture VI: I hear that. And like I said man, it’s never personal. I can’t root against you, because I don’t root against any artist. Anybody who does hip hop for a living, for a hobby, as a passion, on the side, I root for them to make good music and do what they feel.

Wale: Of course you root for them! Because everyone’s an A&R to the world’s label. And I’ll say this. I have a WHOLE lot of talented people in one room right now and we are trying to find a GAMILLION ways to make another BMF. I’ma holla at you when we done making this record that sounds like EVERYTHING on Self Made so you can tell me I lost my creativity. My publicist keeps calling, telling me this a bad idea. Somebody snitched on me. I want you to keep everything, and do whatever you want with it. I appreciate your time, brother.

Beyonce Covers Complex Magazine, Makes Mention of 'Younger' Competition

From Complex.com:



It's hard to believe that it was only eight years ago that Beyoncé released her debut solo album (and appeared on her first Complex cover). Today, she moves like a seasoned vet, blowing her pop peers out of the water with her professionalism and power on stage. With her latest album 4, it seems like B is pushing every aspect of her career in bold new creative directions, which makes her the perfect person to cover our annual Style & Design issue, where we showcase all the cutting edge developments in Complex's world.

For the cover story, we recruited photographer Thierry Le Gouès and artist Ebon Heath, who created the unique typography sculptures that surround B. The August/September issue doesn't officially hit stands until August 9, but we're giving you a chance to check out the full cover story, extended gallery, and behind-the-scenes video now.






Who runs the pop world? Beyoncé. After a year away to spread her wings, Queen Bey is back to reclaim her throne.
Conventional wisdom holds that people should be afraid of turning 30. It’s the dreaded age when the biological clock starts tickin’ with the menace of a time bomb. Thirty is the point at which someone can call a woman “old”—and she will actually believe it. Conventional wisdom says that turning 16, 18, and 21 kicks ass. Turning 30 kicks rocks.

Of course conventional wisdom isn’t all that wise. Thirty ain’t all that bad. (In truth, women tend to be the most well-rounded and sexiest during their 30s. #justsayin) Still, it has a way of focusing people. Beyoncé Giselle Knowles turns 30 in September. She’s acutely aware of time slipping into the future. Her ticking clock, however, has nothing to do with insecure thoughts of feeling old or washed up. Not by a long shot.

No, Beyoncé is in a race against time because of a simple, bluntly put question: Where the f*&k does she go from here? What does thirtysomething feel like if you’ve accomplished everything most people could ever dream of—wealth, fame, artistic accolades, love—in your teens and twenties?

It turns out that, for Beyoncé, the answer to that question is equally simple (and bluntly put). Where does she go? Wherever the f*&k she wants to. Bey has spent the last 15 years paying dues. Now a worldwide icon, she has set her heart and mind to establishing a legacy that she’s determined will be dictated by artistic freedom. She’s not afraid of turning 30. If anything, the world should be afraid of her turning 30.



In March 2010, Beyoncé came off the world tour for her album, I Am…Sasha Fierce, and did something she hadn’t really done as an adult: She lived a normal life. After years maintaining a grueling work schedule that included exhaustive touring, she took a much-needed vacay. For the next year, she did all sorts of—for her—novel things. She slept in her own bed for days at a time. She went to concerts and movies and museums with friends. She spent time picking through the iTunes of her younger sister, Solange (who has a side gig as a DJ and whom Bey credits as her unofficial A&R), playing with her nephew, and watching documentary footage of Jean-Michel Basquiat painting from scratch.

Of course the whole “vacay” concept is a little different for Beyoncé. (For one, she traveled, too. And suffice it to say that you and I aren’t invited to a lot of the places she visited.) What did you do on your vacation? Well, the hardest working woman in entertainment started a production company and learned how to edit movies. And, in studios across the world, she recorded more than 60 songs, 12 of which appear on her latest album, 4, which was officially released in June. You see, whereas a yearlong hiatus for one of us might involve an inordinate number of hours spent in our pajamas, for Beyoncé, even downtime is work time. “I traveled; I read; I watched films,” she says. “Inspiration is all around us every second of the day.”



The inspiration for 4 came from a variety of sources, with the end result being something that doesn’t sound exactly like any of them. Dissatisfied with the state of contemporary radio, she set about brewing a concoction entirely of her own design, based on influences you’d expect her to cite, as well as ones that might surprise. “Figuring out a way to get R&B back on the radio is challenging,” she explains. “Everything sounds the same on the radio. With 4 I tried to mix R&B from the ’70s and the ’90s with rock ‘n’ roll and a lot of horns to create something new and exciting. I wanted musical changes, bridges, vibrata, live instrumentation, and classic songwriting.”

She started the process by jamming with the band from Fela!, the Broadway musical based on the life of Afrobeat pioneer Fela Kuti, and recorded tracks everywhere from New York to Australia to Peter Gabriel’s studio in the English countryside city of Bath. And—hewing again to the “no rules” mantra of the process—she worked with collaborators both old (The-Dream, Babyface) and new (Switch, Sleigh Bells). She even chopped it up with Odd Future. “Jay had a CD playing in the car one Sunday when we were driving to Brooklyn,” she recalls of hearing Frank Ocean for the first time. “I noticed his tone, his arrangements, and his storytelling. I immediately reached out to him—literally the next morning. I asked him to fly to New York and work on my record.”



Andre 3000 is also on board. He makes an appearance on the Kanye West-produced track “Party.” Although it wasn’t her first time working with ’Ye, Beyoncé was particularly keen to reconvene in the studio with the man who made the moody “Runaway,” a song that drove her to the edge of tears the first time she heard it in a van heading to one of Jay’s shows. ’Ye played it for Bey on his birthday.

“The fact that he’s belting out his pain, his confusion, and his anger, with no pre-written lyrics, was so moving,” she says. “He’s singing his heart out for five minutes. He is so vulnerable. I love when an artist can be so honest.”



Released in April, the lead single, “Run the World (Girls),” swagger-jacked the beat from Major Lazer’s “Pon de Floor,” but it’s Bey’s full-throated vocal styling and her trademark feminist stamp that made the insane and souped-up riddim her own.

“I’ve found that with hit records the melody and lyrics come together [naturally],” she explains. “I usually know from the hook if the song is something that transcends language, race, and genre, and if it’s something that affects pop culture. It’s something I can visualize people singing in stadiums all over the world. But my favorite songs on my albums are usually not my singles.”



The world premiere of the “Run” video was, as expected, an event, presenting a post-Rapture world of sandy destruction and kinetic dancing. Bey channeled a bit of Tina Turner in Mad Max Beyond Thunderdome mixed with a dash of Grace Jones in Conan the Destroyer, symbolically demonstrating that her drive to take over the world is still in effect.

Before she takes over the world, though, Beyoncé is taking control of her career. In March, she announced that she would no longer be managed by her father, Mathew Knowles. Both sides took pains to describe the split as amicable, but it was nonetheless a giant step for an artist whose family has played such a vital role in her career. Still, it’s a natural progression, and it’s not as if she doesn’t have other family members to bounce ideas off these days.



“Jay’s music is more than music. His lyrics have fathered generations,” she says of her husband of three years. “All that he has overcome gives millions so much hope. There are moments when I see his lips moving and I can see lyrics floating above his head and I think, ‘Wow! How did I get so lucky to be able to witness this level of genius so closely?’”

Whenever I feel bad, I use that feeling to motivate me to work harder,” says a much wiser, more mature Beyoncé, who learned from some early ordeals, including a period of depression during the first breakup of her first group, Destiny’s Child. “I only allow myself one day to feel sorry for myself. People who complain really get on my nerves. When I’m not feeling my best I ask myself, ‘What are you gonna do about it?’ I use the negativity to fuel the transformation into a better me.”

That same call for inner strength was loudly spelled out in Destiny’s Child’s string of smash hits. Songs like “Independent Woman Part 1,” “Survivor,” and the extra-jelly-is-A-OK anthem “Bootylicious” forever linked DC with the term “female empowerment.” As a solo artist, Beyoncé would continue belting out pro-female calls to arms like “Irreplaceable” and “Best Thing I Never Had,” the second single (co-written by Babyface) from 4. Lines like “You showed your ass and I, I saw the real you” and “Oh yeah, I bet it sucks to be you right now,” have become the sassy method by which Bey can connect with her female listeners (the fellas can't deny the tracks either).

Admittedly, there are times when the female unity is not so unified, like when Beyonce was photographed for the artwork of the “Best Thing” single. She wrote “King B” on a mirror with red lipstick, a nod to womanly control. The problem was that noted video director/tastemaker Vashtie Kola had previously appropriated the royal moniker for herself, and made a sly remark on Twitter about Bey’s use of it.

There have been other confrontational moments—or, at least, perceived conflict. A portion of the public has been convinced for a while now that there’s tension between Beyoncé and her ex-bandmate Kelly Rowland despite the two of them denying reports and appearing together in public as friends. The fact that both released singles on the same day back in ’08 was somehow interpreted to mean that Bey was trying to sabotage Kelly. (This year, the Internet went nuts when Rowland’s latest single, “Motivation,” toppled “Run the World” on iTunes, as if it was some sort of karma.) The gossip queens also insisted there would be a full-scale war between Beyoncé and Lady Gaga even though the two have collaborated twice in the past. The rumors, as it turned out, were just that—rumors.

Then, of course, there is Bey’s “rival” Rihanna. This “feud” at least makes sense to a degree, even if both women have insisted there is no rivalry. The Bajan superstar, who has had a shorter yet stellar career of her own, has repeatedly (and respectfully) stated in interviews that she has always looked up to Beyonce, rightfully so.

Bey, who continually makes Forbes lists and racks up Grammys (her six wins in one night at the 2010 ceremony is a record for a female artist), doesn’t fret too much over the drama—even if you can tell the question irks her, simply in the asking. “There is room on this earth for many queens,” she begins diplomatically, before drawing a few not-at-all subtle lines of distinction. “I have an authentic, God-given talent, drive, and longevity that will always separate me from everyone else. I’ve been fortunate to accomplish things that the younger generation of queens dream of accomplishing. I have no desire for anyone else’s throne. I am very comfortable in the throne I’ve been building for the past 15 years.”

The funny thing is, her effortless comfort in that throne is the thing that separates her from the competition—the Queen is a commoner at heart. She’s chummy with Oprah and sang the first dance for the new generation President and his wife, but she’ll stop and boogie at a block party while visiting her mother-in-law in West Orange, New Jersey (as captured on a YouTube clip last year).

Beyoncé’s not claiming perfection; she’d just like to be afforded the freedom that goes with being what she rightfully is: one of the most accomplished recording artists of the 21st century. She’d like to explain to you what that’s like, but ultimately, she’s the only one who really knows how it feels. “It’s important to have no boundaries in my music,” she muses. “The beautiful thing about art is that you can create a fantasy in your mind about what you think a song is about. Only the writer truly knows what or whom the song is about.”

Talent and drive. Style and design. The former may come naturally, but the latter are products of work, work, and more work: “I just want my legacy to be great music. Someone who was a risk taker and someone who had songs that struck conversation and emotion.” You can be afraid of 30 if you want, but that’s not what’s keeping Beyonce up at night.