There's a fine article today by the New York Times on Piet Oudolf, the Dutch avant-gardener and rarely mentioned co-conspirator of the future elevated park of New York's High Line. Go read and find out why “the real test of a well-composed garden is not how nicely it blooms but how beautifully it decomposes” and also why Oudolf got tired of “the soft pornography of the flower.”
The Very Rich Hour of a Compost Pile